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  • «24 дитячі п'єси для фортепіано» Віктора Косенка в історії європейської музики для дітей 
    Шамаєва, Кіра Іванівна (2022-11-17)
    Розглянуто історію того, як музична література ДЛЯ дітей дидактичного призначення поповнилася характеристиками музичної літератури ПРО дітей. Бібліотека, створена Й. С. Бахом (маленькі прелюдії, дво- й триголосні ...
  • A “well-tempered flute” by T. Boehm – the final stage of its evolution and the standardization of its tuning system 
    Kachmarchyk, Volodymyr; Kachmarchyk, Nataliia; Качмарчик, Володимир; Качмарчик, Наталія (Studia Universitatis Babeş-Bolyai Musica, 2022)
    The article is dedicated to the development of the flute acoustic and tuning systems during the 18th-19th centuries. Based on the analysis of J. J. Quantz's treatise »Versuch einer Anweisung, die Flöte traversiere zu ...
  • Appoggiatura як елемент музичної тканини: частина мелодії чи прикраса? Виконавський аспект 
    Жукова, Олена Августівна (2019-12-28)
    У доповіді висвітлюється художньо-смисловий аспект прикраси з однієї ноти (передусім італійська appogiatura, а також французька port de voix і німецький Vorschlag) у творах ряду композиторів доби бароко, її виконавське ...
  • „Archeologia muzyczna”: geografia historyczna terenów bałtycko-słowiańskich poprzez odwzorowanie melodii obrzędowych 
    Клименко, Ірина Віталіївна; Klymenko, Iryna (2023)
    The author describes her experience of creating a geographic atlas of folk melodies (song forms) of Ukrainians and neighbouring ethnic groups, published in 2020. More than 130 maps included in the atlas reveal a commonality ...
  • Art Music and War: Ukrainian Case 2022 
    Tukova, Iryna; Тукова, Ірина (2023)
    After the beginning of full-scale war Russia against Ukraine from 24 of February 2022, Ukrainian composers are reflecting the theme of a war in diverse ways. This article examines general underpinning concepts, guiding the ...
  • Borys Liatoshynsky’s Opera The Golden Hoop: History, Versions, Primary Sources 
    Tukova, Iryna; Тукова, Ірина; Homon, Tetiana; Гомон, Тетяна (2024)
    The opera The Golden Hoop (1929, Op. 23) by preeminent Ukrainian composer Borys Liatoshynsky (1895–1968) is one of the most celebrated compositions in Ukrainian music history. The opera’s libretto, written by Yakiv Mamontov ...
  • Choral music by Samuel Barber: genre and style aspects 
    Zharkova, Valeriya; Ivannikov, Tymur; Filatova, Tetiana; Zharkov, Oleksandr; Antonova, Olena; Жаркова, Валерія Борисівна; Жарков, Олександр Миколайович; Іванніков, Тимур Павлович; Філатова, Тетяна Володимирівна; Антонова, Олена Григорівна (Babeş-Bolyai University, 2022)
    The article is devoted to the research of choral music by Samuel Barber who was a 20th-century American composer. The research is carried out in terms of its genre and style diversity. It represents the historical stages ...
  • Development of professional competence of teachers in the system of continuing education. Laplage em Revista 
    Volosatykh, Olha; Shamayeva, Kira; Kravchenko, Hanna; Hornostaieva, Olga; Hromova, Nataliia; Averina, Kateryna; Волосатих, Ольга; Шамаєва, Кіра (Laplage em Revista (International), 2021)
    The article discusses the concept of the creative nature of pedagogical activity, which forms teachers' attitude to expectation and introducing new things into the pedagogical process, and a creative attitude to professional ...
  • Die neuen quellenkundlichen Studien in der Ukraine im Spiegel des epistolaren Erbes von Reinhold Glier und Boris Lyatoschinski 
    Копиця, Маріанна; Kopitsa, Marianna; Kopytsia, Marianna (Musikgeschichte in Mittel- und Osteuropa Mitteilungen der internationalen Arbeitsgemeinschaft an der Universit¨at Leipzig, 2005)
  • Epistological documents of the history of Ukrainian music: an attempt of conceptual analysis 
    Копиця, Маріанна; Савчук, Ігор; Чібалашвілі, Асматі; Харченко, Поліна; Путятицька, Ольга; Kopytsia, Marianna; Savchuk, Igor; Chibalashvili, Asmati; Kharchenko, Polina; Putiatytska, Olha (2022)
    The article is devoted to the study of the epistle as a science of correspondence and the study of epistological materials in the context of the history of music in Ukraine. To date, epistology remains subordinate to the ...
  • Etnomuzykologia i ruch rewitalizacji muzyki tradycyjnej w Ukrainie i w Polsce: obserwacje porównawcze 
    Klymenko, Iryna; Клименко, Ірина Віталіївна (2023)
    Ethnomusicology and the movement to revitalize traditional music in Ukraine and Poland: comparative observations Since the beginning of Russia’s military aggression against Ukraine, we have seen a growing interest in ...
  • Exploring Global Musical Diversity: Analysing The Fusion Of Styles, Genres, And Traditions In Modern Music 
    Putiatytska, Olha; Ryndenko, Oksana; Osoka, Olena; Putiatytska, Liudmyla; Shchyrytsia, Dmytro; Путятицька, Ольга; Ринденко, Оксана; Осока, Олена; Путятицька, Людмила; Щириця, Дмитро (Ad Alta: Journal Of Interdisciplinary Research, 2024-05)
    The topic is relevant in the current globalised and digitalised environment, where music is becoming an increasingly important tool for preserving cultural diversity and fostering mutual understanding. This research aims ...
  • Features of development of the violin art in the modern theatre 
    Buchma-Bernatska, Olga; Chystiakova, Natalia; Bazylchuk, Leonid; Putiatytska, Olha; Kopytsia, Marianna; Путятицька, Ольга; Копиця, Маріанна (Linguistics and Culture Review, 2021)
    The foundation of the scientific basis for understanding the processes of development of modern violin art is relevant, since it allows discovering the foundations and results of transformations in the musical consciousness. ...
  • Genre tradition as an artistic category (on the example of Ukrainian organ music of the late XX – early XXI century) 
    Kupina, Daryna; Redya, Valentina; Купіна, Дарина Дмитрівна; Редя, Валентина Яківна (Babeş-Bolyai University, 2022)
    Some peculiarities of genre tradition as an artistic category are considered (based on the example of a modern Ukrainian pipe organ music). It was found out that the transformation of the genres are natural process, that ...
  • Il Matrimonio Segreto : melodramma giocoso in due atti 
    Чімароза, Доменіко; Чімароза, Доменіко (1896)
  • J.G. Tromlitz’s Articulatory Phonetics in Flute Sound Formation 
    Kachmarchyk, Volodymyr; Kachmarchyk, Nataliia; Качмарчик, Володимир; Качмарчик, Наталія (Studia Universitatis Babeş-Bolyai Musica, 2021)
    The paper considers articulatory phonetics and specific features of its use in flute performance. The historical stages presented of phonemic bases formation and development for flute articulation during the 16-18 centuries. ...
  • Musical amateur performance in Ukraine of the 1930s as the manifestation of Soviet totalitarian ideology 
    Lisniak, Inna; Лісняк, Інна; Cherneta, Tetiana; Чернета, Тетяна; Tukova, Iryna; Тукова, Ірина (2022)
    The article comprehensively examines antinomies of the amateur performance development in Ukraine of 1930s. The factual basis of the research is the materials of the newspapers, magazines, and musical journals of this ...
  • Musical and educational activities of Franz Kučera in Eastern Ukraine from 1890–1911 
    Kachmarchyk, Volodymyr; Ovchar, Oleksandr; Качмарчик, Володимир; Овчар, Олександр (Digital Library of the Faculty of Arts, Masaryk University, 2024)
    František Wojciechowicz Kučera is one of the most conspicuous representatives of the Czech music community in Kharkiv in the late 19th and early 20th centuries. He played an important role in the professionalization of ...
  • Musician style: dialectic and polylectic of performing creativity 
    Заєць, Віталій; Zaiets, Vitalii (Київ: ІДЕЯ-ПРИНТ, 2019)
    The purpose of the article is to understand the perfection of the professional and creative aspirations of the performing musician in the performing arts. The methodology of the study is based on the psychophysiological ...
  • Orchestration of proper piano pieces as a self-interpretation 
    Stronko, Boryslav; Стронько, Борислав Юрійович (Babeş-Bolyai University, 2023)
    The study is focused on the problem of composers’ self-interpretation in the orchestrations of their own piano pieces. This specific case of a creative re-thinking contains not only adaptation of a piano score to orchestral ...