Короткий опис(реферат):
The article is devoted to tremolo as one of the most important
techniques of playing the domra using a plectrum. The article analyzes the
use of tremolo in the practice of performing on various instruments – struck
string, string, wind instruments, piano. Tremolo on domra in modern
performance is considered in several aspects – as a way to lengthen the
sound and a specific coloristic technique. At the same time, a new look at
tremolo as a special unique means of artistic expression is offered. The
research angle focuses on auditory problems in the process of technical
implementation of tremolo and the use of tremolo intensity as a means of
overcoming inertial mechanical movements and negative perception of
uniform sound. Using the example of modern works for domra and mandolin
by Oleg Bezborodko, Valery Ivko, Yasuo Kuwahara, Evgen Milka,
Oleksandr Oliinyk, Boryslav Stronko, the main functions of tremolos and the
problems of their performance specification are considered.
