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dc.contributor.author Zaiets, Vitalii
dc.contributor.author Заєць, Віталій
dc.date.accessioned 2025-04-30T08:00:51Z
dc.date.available 2025-04-30T08:00:51Z
dc.date.issued 2023
dc.identifier.citation Zaiets V. Performance Style as Comprehensive Artistic Method in the Field of Music. Studia UBB Musica, LXVIII, 2, 2023 (p. 287 – 295) uk_UA
dc.identifier.uri http://e-archive.knmau.com.ua/handle/123456789/705
dc.description.abstract The possibility of a review of this topic consists in the disclosure of a specific performing and instrumental awareness of the notion of style, namely, in the methodological direction of this definition as factor of the intellectual and practical perspectives for the interpretation of musical pieces. The theme of the style is complex in understanding of the problems of musical and performing arts. It is not about the stylistic features of a particular personality of the composer or an era in which this personality worked and was spiritually raised, but more about the principles of theirdefinition. Our attempts to understand the notion of performing style are intended to help define it as carrier of a specific artistic thinking, which is objectively shaped and technologically and conceptually functioning uk_UA
dc.language.iso en uk_UA
dc.subject style uk_UA
dc.subject individuality uk_UA
dc.subject thinking of musician-performer uk_UA
dc.subject performing arts uk_UA
dc.subject composer’s creativity uk_UA
dc.title Performance Style as Comprehensive Artistic Method in the Field of Music uk_UA
dc.type Article uk_UA
dc.identifier.doi 10.24193/subbmusica.2023.2.21


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