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  • Specific sound production techniques in academic guitar music 
    Ivannikov, Tymur; Filatova, Tetiana; Іванніков, Тимур Павлович; Філатова, Тетяна Володимирівна (Babeş-Bolyai University, 2022)
    The article is focused on the problematic research area in the borderline between performance, musical and composer’s interests in academic guitar music. Modern growth trends have been identified in the sound production ...
  • Spiritual concert in the work of Ukrainian composers The processes of individualization of the genre archetype 
    Husarchuk, Tetiana; Severynova, Maryna; Derevianchenko, Olena; Putiatytska, Olha; Hnatiuk, Larysa; Гусарчук, Тетяна; Северинова, Марина; Дерев'янченко, Олена; Путятицька, Ольга; Гнатюк, Лариса (Linguistics and Culture Review, 2021-11-15)
    The last decades in the post-Soviet space are characterized by spiritual searches, growing interest in spiritual heritage, in musical art –the blossoming of spiritual creativity, in music science –by increasing ...
  • "Symbiosis of religion and music in the Middle Ages" 
    Рябкіна, Наталія (https://www.youtube.com/@NMAU_StudentConference/playlists, 2022-12)
  • "Syrinx and Bacchanale" 
    Волжаніна, Магдаліна (https://www.youtube.com/@NMAU_StudentConference/playlists, 2023-04)
  • "Teacher induction in Japan, the UK and the USA" 
    Лученко, Ольга; Червінко, Євген; Дороніна, Ольга (Comenius University Bratislava, 2024)
  • "The Concept of Silence in Music" 
    Рябкіна, Наталія (https://www.youtube.com/@NMAU_StudentConference/playlists, 2023-11)
  • The custody of a prisoner does not call for torture / Goya, Kleynjans 
    Левцун, Ігор (https://www.youtube.com/@NMAU_StudentConference/playlists, 2024-04)
  • The Emergent Properties of the Opera Genre in the Contemporary Musical Context 
    Putiatytska, Olha; Sakalo, Olena; Artemieva, Vira; Shchyrytsia, Dmytro; Yakymchuk, Olena; Путятицька, Ольга; Сакало, Олена; Артем'єва, Віра; Щириця, Дмитро; Якимчук, Олена (MUSICA HODIE, 2024-10-16)
    The article’s relevance is influenced by the 20th-21stcentury composers’ innovative opera approach, experimental theatre principles, and the use of untraditional subjects and plots in academic operas. ...
  • "The Myth of Amphion" - Synthesis of Arts 
    Антонова, Марина (https://www.youtube.com/@NMAU_StudentConference/playlists, 2024-04)
  • The performing interpretation of a musical work on the example of ukrainian composers-bayanists 
    Dushniy, Андрій; Shafeta, Valeriy; Zaiets, Vitalii; Oleksiv, Galyna; Karas, Sergiy; Душний, Андрій; Шафета, Валерій; Заєць, Віталій; Олексів, Галина; Карась, Сергій (2021)
    The article explores the elements of interpretation of music by accordionist composers. The peculiarity arises the consideration of the development of accordion art in the period of total change of constants of the ...
  • "The Unfulfilled" 
    Телепньова, Марія (https://www.youtube.com/@NMAU_StudentConference/playlists, 2023-11)
  • The way of thinking in the context of the specificity of the music performance 
    Заєць, Віталій; Zaiets, Vitalii (Banská Bystrica. Akadémia Umaní v Banskej Bystrici, 2021)
    This article does not analyze the thinking of a particular musician, but considers a general understanding of the category of thinking and a general understanding of the thinking of the creative individual as the specificity ...
  • To the question of training of musicians-instrumentalists in higher education institutions of Ukraine: Current trends and prospects 
    Dushniy, Аndriy; Stashevskyi, Andrii; Stashevska, Inna; Zaiets, Vitalii; Benziuk, Oleksandr; Душний, Андрій; Сташевський, Андрій; Сташевська, Інна; Заєць, Віталій; Бензюк, Олександр (Revista Ibero-Americana de Estudos em Educação, Araraquara, 2022)
    The aim of the article is to theoretically substantiate the effectiveness and describe the practical application of the method of increasing the hermeneutic competence of instrumental students. The curriculum ...
  • Transformations of the Contemporary Art Practices in the Context of Metamodern Sensibility 
    Severynova, Maryna; Kharchenko, Polina; Chibalashvili, Asmati; Bezuhla, Ruslana; Putiatytska, Olha; Северинова, Марина; Харченко, Поліна; Чібалашвілі, Асматі; Безугла, Руслана; Путятицька, Ольга (2025-03-04)
    The paper studies the changes of contemporary art practices in the conditions of metamodern sensibility within the context of the newest digital technologies that enable us to expand the understanding of environment and ...
  • Tremolo on Domra as a Means of Artistic Expression 
    Bilousova, Svitlana; Білоусова, Світлана Вікторівна (Babeş-Bolyai University, 2023)
    The article is devoted to tremolo as one of the most important techniques of playing the domra using a plectrum. The article analyzes the use of tremolo in the practice of performing on various instruments – struck string, ...
  • Trois morceaux : pour piano : Prélude ; Chanson ; Danse 
    Степовий, Яків Степанович (Державне видавництво України, 1900)
  • Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples from Contemporary Art Music Scene) 
    Tukova, Iryna; Тукова, Ірина; Redya, Valentyna; Редя, Валентина; Kokhanyk, Iryna; Коханик, Ірина (2022)
    The paper focuses on the 2010s in the history of Ukrainian music criticism. The materials on contemporary art music were chosen to support the authors’ reflections and conclusions. Selection of the time, period and material ...
  • Ukrainian Vocal School of the 1950s–1970s in the Personal Memoir Writings: The Sociocultural and Artistic Aspects 
    Кабка, Геннадій Миколайович; Казанцева-Кабка, Оксана Анатоліївна; Kabka, Hennadii; Kazantseva-Kabka, Oxana (2023-01-19)
    Здійснене дослідження особових текстів діячів українського вокального мистецтва 1950-х— 1970-х років є спробою розглянути культурно-історичний процес з погляду мети, потреб і завдань сучасної культурологічної і мистецтвознавчої ...
  • Über eine prokof’ev’ische Sonate die „wie von selbst gekommen“ ist 
    Kachmarchyk, Volodymyr (Gudrun Schröder Verlag, Leipzig, 2013)
    Die allmähliche Bereicherung des Flötenrepertoires mit neuen Werken beginnt in der russischen Musik erst in der sowjetischen Periode vor dem Zweiten Weltkrieg und erreicht ihren Höhepunkt in den 1970er und 1980er Jahren. ...
  • "Vague féminine" "Une barque sur l'océan" 
    Мельник, Тимофій (https://www.youtube.com/@NMAU_StudentConference/playlists, 2023-04)

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